David Runnion wrote:
>Kevin Sutton wrote:
>
>>The New York Times recently reported on a new record label in which the
>>artist retains ownership of the recorded material while the label sees
>>to the distribution and manufacturing process.
>
>There are a bunch of these labels popping up. I think it's great.
>With super-low production costs they can afford to do whatever
>repetoire strikes their fancy, and the collaboration between artist
>and label is close.
I would like to add our label into the mix. We are tax exempt and the
way we work is that I do the layout, design, recording and mastering as
needed...and depending on the financing, if the artist pays for pressing,
they get back 85% of net until they are fully reimbursed, then we split
50-50. If we finance pressing, we get it all until we make back cost,
then the split is 50-50. While we some restrictions designed to maintain
continuity in our releases, the artist can have a great deal of lattitude
in things like the sound quality, notes, layout, etc.
Since I give my time and don't get paid, it has to be a project that
interests me, hence we aren't looking for any standard repertoire, unless
the performance has something distinctive about it...in short, unless I
really like it!
It has been interesting giving the musician control of much of it. What
I find most fascinating, is how aware they are of what sort of sound they
want. This especially relates to another current topic on this list,
equalization. It can become such a subjective issue.
Karl (Pierian Recordings)
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