Miguel Muelle:
>>I wonder how those who play in the orchestras feel about this. Do they
>>really appreciate being ovated (?) every time? Would they like to see
>>some discernment and control, so that when people leap to their feet (as
>>I have done on some occasions) it truly means something?
People are very eager to leap to their feet after a concertante piece.
When it comes to symphonic music (i.e. no soloist), people usually
remain in their seats. The conductors have a hard time ;-).
"Mikael Rasmusson" <[log in to unmask]>