Date: |
Thu, 22 Aug 2002 16:32:45 -0400 |
Subject: |
|
From: |
|
Parts/Attachments: |
|
|
Mike Leghorn wrote:
>Actually, the sequence is I, VI, IV, V... I agree, it's not the best
>example to illustrate tension-release.
To refresh ... we were talking about the chords of the Heart and Soul
accompaniment:
It STILL IS: I, VI, ii, V but I forgive you.
IN the Key of C major the ii chord is a minor chord spelled D, F, A.
Try it, you'll like it. I wouldn't lie to you. The IV chord that you
list is a major chord in C Major: F A C a VERY CLOSE RELATIVE as you
can see.
>I hope it's ok that I fielded Ron's question, since it was directed to
>me. No doubt, you're the expert on the subject:-)
No need to get testy. I'm just trying to clarify. I am certainly not
an expert but I love to play one on the internet.
Mimi Harmonious Ezust
|
|
|