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Sun, 20 Oct 2002 12:03:28 +0200 |
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Miguel Muelle:
>I don't think the "problem' of the standardized standing ovation is
>limited to small orchestras. I don't know if the original poster was
>speaking of an American orchestra, but I bet he was. I think this is
>an American phenomenon.
We see it in Europe too. Sometimes I feel that the standing originates
because a few people towards the front wish there to be an ovation (or
might I suggest that occasionally they might wish to leave the hall
before the traffic gets too dense...) and as the visibility behind becomes
impossible, other people rise.
I know, that really is too wicked of me - some standing ovations remain
highly justified.
>[...]one sort of ends up feeling like a curmudgeon, or certainly like
>a grump, by sitting firmly
It may be difficult to sit tight but it is possible, and preferable if
the standing ovation is to retain some meaning. The contrary is very
difficult - I have felt the urge without daring to stand for fear of
embarrassing my neighbours or blocking their view. But I can applaud
to near-exhaustion...
Regards,
Christine Labroche
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