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Date: | Mon, 7 May 2001 02:31:17 -0700 |
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Don't miss David Schiff's article in the April 22 NYTimes - I did, and even
though it's getting "old," I wanted to call attention to it, just in case
others overlooked it as well.
FOR two years in a row, the Academy Award for best film score has
gone to a classical composer: first John Corigliano for "The Red
Violin," then Tan Dun for "Crouching Tiger, Hidden Dragon." While
cynics claim that this is the film industry's way of advertising its
high-art pretensions, Hollywood may really be ahead of New York in
acknowledging that the opposition between film music and concert
music is a phantom of the last century. Today the two styles constantly
interact. John Williams's scores for George Lucas's "Star Wars"
movies and for Steven Spielberg's "Jaws" and "Close Encounters of
the Third Kind," which resurrected the symphonic style for film in
the 70's, have also exerted a huge influence on the work of young
concert composers. Philip Glass's music for "Koyaanisqatsi" made
Minimalism an essential component of any film composer's stylistic
vocabulary...
http://www.nytimes.com/2001/04/22/arts/22SCHI.html?ex=989966751
Janos Gereben/SF, CA
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