John Dalmas replies to me:
>>The one success that eluded [Morton] Gould was Broadway and pop song.
>
>I would say that success eluded Gould generally.
Actually, he was one composer who could live off his royalties. That
argues strongly for success.
>>Gould is one of those American interwar and postwar musicians - along
>>with Piston, Diamond, Schuman, Sessions, Mennin, Fine, Talma, Hanson,
>>Foss, Blitzstein, Lees, Bergsma, Shapero, and Thomson - too good to lose.
>
>I find this an example of extravagance by association.
Really? Why? Who's on the losing end?
Steve Schwartz
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