I goofed. The following portion of my post was misleading:
(original)
I find Nelson's incisive approach much more invigorating than the soft-edged
Keene, which makes the composer's cleverness at this point sound naive--a
danger in Berlioz.
(correction)
I find Nelson's incisive approach much more invigorating than the soft-edged
Keene, *who* makes the composer' s cleverness at this point sound naive--a
danger in Berlioz.
Sorry, my editor was tired.
John Smyth