I enjoy Don Satz's commentary, but I wish he would consider Maurice
Gendron's set on Philips, a set readily available.  In my thirty years of
listening to the Suites, I find his set preferable to any other.  It offers
a middle of the road interpretation, somewhere between the austere Fournier
and the craggy Casals on the one hand, and the romantic Ma II on the other.
(Ma I is similar to Gendron and probably my third choice after Gendron and
Fournier.

Allan Kohrman
Newton, MA