It's reviewed by Alan Blyth in the November Gramophone: ". . . bloodless
and basically un-Italianate." Did you expect otherwise? Only Olga
Borodina's Amneris escaped negative criticism. It's been a long time since
I've purchased a Harnoncourt recording. I lost interest after the perverse
Concertgebouw Haydn.
"Rodney DeCecco" <[log in to unmask]>