Robert Peters <[log in to unmask]> wrote:
>2) The operas libretto is openly racist and misogynous. I am no regualar
>guest in opera houses. How do modern productions deal with these
>tendencies of the libretto? Thanks for any hints,
I wonder what you are thinking of when you say "Die Zauberfloete" is
racist. As far as I know it is not. For example Pamino (?) says: "He
is all black, but black or white what does it matter?" etc.
Please clarify.
Mats Norrman
[log in to unmask]