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Date: | Mon, 21 Feb 2000 15:29:47 -0500 |
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Peter Goldstein wrote:
>He is, rather, an extremely subtle creator of almost indefinable moods;
>his themes and their tonal relationships tend to act more on the heart
>than the mind. What makes him remarkable is his refusal to separate
>happiness from sadness-in his music, joy and serenity rarely exist apart
>from melancholy and doubt. As I see it, it is his great achievement to
>make this mixture profound and not merely sentimental, but in any case it
>is profundity of a very different order from Haydn's.
Not to be critical of Mozart's music, where is the emotion you are talking
about? I have to admit that I haven't heard a lot of Mozart, and that my
concept of emotion is biased towards the Romantic/20th c. definition.
Despite that (or rather because of that), what is your reccommended
listening for the "emotional" Mozart?
>In my view, there's room to appreciate and indeed love them all. But we'll
>always have our personal preferences, which is what most of the fun is about
>anyway.
Well said.
Joseph Sowa
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