Chris Bonds wrote about composers merits in the baroque and finshed up:
>Popularity and personal preference are not necessarily the only things to
>consider when ranking composers, a process I find odious anyway. There
>is what I call musical truth, but I don't know what others call it.
I agree with most of what you said in your post Chris. But I think that
odious is possibly too strong a word here. Perhaps tedius?
But, musical truth? I would like to hear your definition of this.
Bob Draper
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