From: Peter Goldstein
>With all the talk about popular musicians' borrowing from the classics,
>I wonder if anyone's interested in a thread on classical composers'
>borrowings from each other.
Another one you can add to the list: the coda from the slow movement of
Beethoven's 3rd piano concerto and a phrase (played twice over the course
of the movement) from the slow movement of Mozart's G-minor piano quartet.
I am very surprised this connection hasn't been mentioned before in any
of the literature I've read regarding the piano concerto. It looks like
Beethoven was inspired by more than just Mozart's C-minor concerto effort.
BTW, great list, Peter!
Mark K. Ehlert