About Colin Tilney - he wasn't actually that bad, but he didn't seem to exploit the nuances that from reading about it I imagined would be possible on the clavichord. It sounded like a quieter harpsichord to me. Then again, library headphones can be misleading. Question: what's the rationale behind playing book 1 of the WTC on the clavichord and book 2 on the harpsichord, rather than the other way round or simply deciding on a movement-by-movement basis? Felix Delbruck [log in to unmask]