An insert in August's Gramophone lists comments from James Galway and concertmaster Thomas Brandis on their experiences with Karajan. JG: "He started to do the slow movement (of Mozart's Flute/Harp Concerto) but..it was totally the wrong speed, which meant he had never heard a recording of it, and he hadn't looked at the score before." TB: "Except for some modern pieces he didn't particularly like, he knew all his scores by memory. His memory was immense." Could both be right? Tim Hu