David Stewart wrote: >How does Beethoven generate increasing excitement in a fugal passage of >one of his Razumovsky quartets (starts with a solo violin rushing around >all over the place G GAGFED FGFEDC GAGFEDEFDGFEDCDE etc.) That's a VIOLA, buddy, and don't fergit it. (Op.59 #3) Humph. Young whippersnappers. Mimi Ezust <[log in to unmask]>