Here's a tale of woe, a leadership-attendance-programming-income crisis besetting a small regional company that's symptomatic of opera's problems the world over. When David Sloss announced on June 14 that he will quit as general director of West Bay Opera, he made the resignation effective at the end of the week, just four days away. A leading figure at the Palo Alto company for a quarter century, Sloss took the top spot a year after the death of Maria Holt in 1996. (She and her husband, the conductor Henry Holt, founded the company in 1956.) With West Bay Opera about to celebrate its 50th year, Sloss' move was sudden and surprising, but the announcement gave no reason for the resignation. Last week, another WBO resignation, that of Ali Jennings as the company's business administrator, gave more of an insight into the problem. Wrote Jennings about the reason for her action: "It is a decision that did not come easily, but I, like David Sloss, cannot support the direction the Board has decided to take. Without him, WBO will just not be the same." Classical Voice asked WBO Board President Riva Bacon for comment, and she said Sloss' resignation came after the board voted to cut his proposed budget by about 20%, in order to reduce the deficit. "(Sloss) stated that the cuts would not allow continuation of his artistic vision and that he would resign," Bacon said, adding that the former general director "ended each year (under his management) with a deficit." From a reserve fund of $214,000 in 1998, and after "depletion of an (unrestricted) $204,000 donation (most likely) meant to be an endowment fund, which he used for operating expenses," Sloss - according to Bacon - produced deficits, ranging from $23,500 to $146,000. (Those following the fortunes of San Francisco Opera and other large companies during the same period are familiar with significant financial difficulties caused in part by the transition from general economic and Dotcom boom to bust, especially in such a high-tech area as WBO's home, although the company's audience/income slide began before then.) Another divisive issue was Sloss' programming, which called attention to West Bay Opera from the Bay Area, but apparently didn't do well locally. Although calling Sloss' choices of operas (which included Britten's "The Turn of the Screw," Meachem's "Tartuffe," Weill's "Mahagonny," and Menotti's "The Consul") "artistically interesting," Bacon says they resulted in a drop in the subscription base. "In eight years, subscriptions went from 1,012 to 657, a drop of about 35%. Attendance in general decreased from 95% to 69%." Board member and staff volunteer Stan Ulrich says that "Programming was not an issue in Sloss' departure - it was all fiscal, a matter of solvency. He proposed programming, which was then discussed in repeated committee meetings, and then revised and approved by the Board. We don't know all the reasons for the drop-off in subscriptions. I wish we did. My view is that Sloss' repertoire was well balanced, but then, I may not be a typical opera-goer." Bacon charges that Sloss "continued to hire predominantly experienced singers, many living outside of California while the company's Mission Statement specifies focusing on the community. He wanted to turn WBO into a regional company without addressing the financial changes it would require." (Singers' fees tripled from Holt's last year to 2002.) Apparently, the dispute split the company down the middle, Sloss' "expensive vision" getting important support. Besides Sloss, his wife (the company's volunteer bookkeeper and casting assistant), and Jennings, three board members resigned as well (although Bacon says two will continue to support the company in other ways). The board in place is searching for a new general director while continuing operations and attempting to stabilize finances. The upcoming 50th season (programmed by Sloss, of course) aims to present Mozart's "The Magic Flute," Puccini's "Manon Lescaut," and Stravinsky's "The Rake's Progress." The Website is www.wbopera.org. Janos Gereben/SF www.sfcv.org [log in to unmask]