Ron Chaplin asks: >How does Don Satz, Steve Schwartz, or Dave Lampson, to mention only >three of many on the list, learn enough to write meaningful reviews? I assume that each of us has had a unique background. I received much musical training as a young boy, played two instruments, was involuntarily with the high school choral club, took just one music course in college, and grew up in a classical music oriented home. Although none of the above meant much to me at the time, I can reflect back, look at myself now, and see that the background laid the framework for my current preferences and musical abilities. Ron mentioned connections between reading and listening; I think he's on the right path. As an example, some time ago I was reviewing a Bach keyboard performance, and the liner notes mentioned the "stretti" in the music. What's that? I had no idea. But, by listening to the piece and connecting it to the notes and reading other references, I learned what stretti means. Now, I can't miss it when I hear it, and I love its use. Time, experience, and dedication are the keys along with the basic requirement - love of the music. Don Satz [log in to unmask]