Rouse: Der Gerettete Alberich, based solely on Ring leitmotivs associated
with that bad guy.
Then, there are the pastiches that COULD have been based on the works
of other composers, like the Schumannesque movement in Rochberg's piano
Trio (or was it a piano quartet?). Also, there are those horrible
computer simulations of Mozart and others by Professor Cope at Santz
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