>Steve said, apparently a few years ago:
>>Stravinsky - weak chamber output. His influence has waned.
>'Don't know about his influence, but Stravinsky's chamber work is some
>of what I find most appealing in his output.
Like I said, I have NO idea where that came from. The Octet, the Duo
Concertante, the piano sonata of the Twenties, the Concerto for 2 Solo
Pianos, etc. etc. I probably was in a sour mood after listening to the
elegy for solo viola, or maybe the first piano sonata.