Jocelyn Wang ([log in to unmask]) wrote:
>Whatever the process, and whether one calls it "ignoring" the repeats or
>"disregarding" them, the result is the same: the composer's intent is
>being undermined by someone who does not and cannot know the piece as
>intimately as the composer.
Now here I think you are on shakey ground. There are cases this century
of composers declaring that they had heard things they hadn't been aware
of in their own compositions when performed by others.
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