In regard to dark room chemicals and b&w paper, all are still widely
available. Kodak, Ilford, &c don't make as wide of a range as was once
available, but the stuff is still out there to service art print market,
students, and more serious photographers. And even though you didn't ask,
I would argue digital does not yet and never will offer the image quality
of the humble medium- or large-format b&w negative and print, and that it
(digital) is certainly nowhere near as archivable. Black and White
chemicals, film, and paper are appearing less and less in your average
suburban mall photo stores. But I use Calumet Photo via web for such
supplies and the best in films. Porters and Penn Camera are two others
with similar internet service.
Joe Dent
American University
Ron May <[log in to unmask]>
Sent by: HISTORICAL ARCHAEOLOGY <[log in to unmask]>
10/01/07 02:42 PM
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HISTORICAL ARCHAEOLOGY <[log in to unmask]>
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Re: Metric Graph Paper - & other supplies
In a message dated 10/1/2007 10:48:12 A.M. Pacific Daylight Time,
[log in to unmask] writes:
So I take digital images to use, and black/white for the
record. I may just have the black/white film developed and not bother
trying to print them any more. That way, the state can still archive
the negatives.
My experience with digital prints, even on archival paper, is they fade.
The
Fort Guijarros Museum Foundation organized a World War II history event in
1999 to commemorate the 100th anniversary of U.S. Army Fort Rosecrans. All
the
digital prints were mounted on foam board and stored in a room with UV
filters on the floursecent lighting, but the prints faded to an
orange-red color or
totally vanished. I remain a firm believer in printing with the old
chemicals on acid-free paper and storing them in a dark, cool, room.
Ron May
Legacy 106, Inc.
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