Subject: | |
From: | |
Date: | Wed, 15 Sep 1999 15:19:06 -0400 |
Content-Type: | text/plain |
Parts/Attachments: |
|
|
I agree with David Simmons 100% about everything he said. I haven't heard
the Berg Violin Concerto yet, so that one comment isn't making me too
excited, although I still want to hear it.
About that tingly sensation (ie. when David hears "Nimrod" from the Engima
variation's), that, I think, is something that all great music does to you.
It happened to me when I heard Mehta conduct Pictures at an Exhibition in
the "Great Gates of Kiev" part. Another sort of similar experience is when
you listen to a song, it ends, and the the mood of the song has overtaken
you and it takes you a short bit to apreciate that the song has ended. One
(actually two) of the songs I wrote does that. (Not to brag.) The first is
from my string quartet. It was performed and got a standing ovation. The
second is the slow movement of my symphony, not yet formally performed, but
it really moved those who heard it.
As a composer, I doubt my music will ever get into Carnegie Hall, but for
me, it's the joy I find writing the music that is rewarding. (However, if
it did get into Carnegie Hall, I'd be the last one to complain.)
Overall, David Simmons said everything I was trying to say on the "Re:
Regarging John Cage" string.
Joseph Sowa
[log in to unmask]
|
|
|