I do not know where the idea of "evil on the part of the writer" came
into this discussion.  I never raised it.

I simply raised the question of how reviewers did not spot the *huge*
stylistic differences of multiple pianists, orchestras and conductors
and why it took a computer programme to nail the Hatto fakes.  

Again, for the thrid thime, I think this raises important questions for
reviews and reviewing.  I ask this question politely and with an open
mind.

David Harbin
Nottingham UK

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