It's reviewed by Alan Blyth in the November Gramophone:  ". . .  bloodless
and basically un-Italianate." Did you expect otherwise? Only Olga
Borodina's Amneris escaped negative criticism.  It's been a long time since
I've purchased a Harnoncourt recording.  I lost interest after the perverse
Concertgebouw Haydn.

"Rodney DeCecco" <[log in to unmask]>