CLASSICAL Archives

Moderated Classical Music List

CLASSICAL@COMMUNITY.LSOFT.COM

Options: Use Forum View

Use Monospaced Font
Show Text Part by Default
Show All Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Subject:
From:
Denis Fodor <[log in to unmask]>
Date:
Wed, 2 May 2001 17:02:14 EDT
Content-Type:
text/plain
Parts/Attachments:
text/plain (15 lines)
Krishan P Oberoi <[log in to unmask]> writes:

>...had Britten fallen for a violinist, his compositional output would
>have been very different indeed.  There is, however, considerable evidence
>that song and the voice had a profound effect on him at a very early age.

Be that as it may, the thought caused me to reflect that a lot of straight
men prefer the male voice to the female.  I count myself among them, though
not urgently.  In opera, a good tenor voice usually stirs me more deeply
than an alto or mezzo.  Now, when Renee Fleming comes onstage, the juices
do begin to jangle, but I must hasten to admit that it's for reasons only
partly musical.

Denis Fodor

ATOM RSS1 RSS2