Bob Draper wrote:

>The pundits seem to be awarding plaudits to M for this line of approach
>but to me the result seems messy.  There's much too much going on in 'late'
>Mozart for my liking as the man seeks to impress.  The musicians seem to be
>having a battle with each other.

This is not true of the Piano Concertos.  Slow movement of 26 is the most
simple piece I have ever heard.  27 similarly - its slow movement is
extremely simple yet ambiguous - is it happy or sad?

I don't really know if this is true of the symphonies, but I don't know
them well enough to say.

David Stewart
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