Gilbert Chang <[log in to unmask]> writes:

>1) The play within the play was originally a tragedy, but because of
>poor acting, resulted in a farce.  What kind of music should I use
>in the beginning of the play (when it still looked like a tragedy)
>and towards the end (when it has virtually turned into a farce)?

The most farcical thing I can think of is simply continuing to play the
tragic music underneath.

Dan Schmidt -> [log in to unmask], [log in to unmask]