CLASSICAL Archives

Moderated Classical Music List

CLASSICAL@COMMUNITY.LSOFT.COM

Options: Use Forum View

Use Monospaced Font
Show Text Part by Default
Show All Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Subject:
From:
Robert Peters <[log in to unmask]>
Date:
Tue, 7 Oct 2003 21:12:02 +0200
Content-Type:
text/plain
Parts/Attachments:
text/plain (18 lines)
Janos Gereben wrote:

>The way I handle these contraditions and conflicts is by listening to
>the music both "in the abstract" and focusing on the lyricism and passion
>underlying any specific message. I have not done this in a deliberate,
>premeditated way, but now that I think about it, I see a parallel between
>response to the great stories coming from a belief system I do not abide
>by (Mann's "Joseph and His Brothers," for example) and sublime music
>inspired by the composer's faith, which I do not share. Musical, literary
>and psychological gems from the context of archaic superstition remain
>precious, regardless of the source.

Intelligent words. I want to put it this way: when I listen to music
with an orthodox religious message I concentrate on what all religions
and all humanist notions have in common: belief in a big secret.

Robert

ATOM RSS1 RSS2