Christopher writes on the Shosty 4:

>Sadly, I can find little to enthuse about in what I perceive as a cold,
>angular work with mockery, derision, repetition and deliberate triteness
>as its central tenets.

Oh no, no, no!  Granted, I think it's quality is a little front heavy,
with the first mov't alone being worth the price of admission--especially
that 16th-note, (32nd-note?) fugue that comes out of no where.  What an
incredible imagination he had.  Try again.

John Smyth