A dark horse for the Piano Concerto No.  19 is Jeno Jando on Naxos.
He tends to lack the inwardness necessary for truly great Mozart, but
his playing has a most welcome simplicity, clarity, and directness,
without a trace of romantic mannerism (vs.  Uchida, for example).  He
does particularly well in the more extrovert pieces, and No.  19 is one
of his best.

Peter Goldstein