CLASSICAL Archives

Moderated Classical Music List

CLASSICAL@COMMUNITY.LSOFT.COM

Options: Use Forum View

Use Monospaced Font
Show Text Part by Default
Show All Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Subject:
From:
Janos Gereben <[log in to unmask]>
Date:
Sun, 2 Jul 2000 14:21:15 -0700
Content-Type:
text/plain
Parts/Attachments:
text/plain (25 lines)
Behold a major new lyric tenor, making his North American professional
debut today as the Evangelist in the Oregon Bach Festival's St. Matthew
Passion -- with a remarkable cast of Juliane Banse, Ingeborg Danz, Thomas
Quasthoff and Eric Owens, conducted by Helmuth Rilling.

With a voice similar to the perfect-Mozart-tenor sound of James Taylor
whom he is replacing, Odinius has a "natural" placement in the high
register, effortless delivery, and a projection that allows the finest
pianissimo carry through cavernous (and, yes, "electronically enhanced")
Silva Hall.  The voice is not as beautiful as Taylor's, but it has more
power: think of a true helden-Tamino, instead of a dreamy Fenton.

Born in Aachen and educated in Berlin, the 34-year-old tenor has been
getting large roles in small houses and small roles in big houses in
Europe, but that's about to change with a Zuerich "Alfonso" and other,
yet unannounced assignments.

Odinius sang in Nebraska some six years ago in a St. John Passion
performance by a Berlin group, but today's Eugene performance will be
his U.S. professional debut.  As of now, he has no American engagements
scheduled -- something that may well change by tomorrow.

[log in to unmask]
Attachments to [log in to unmask]

ATOM RSS1 RSS2